Red V Raptor 8k Full Frame Cinema Camera
Compact, fast, and full-frame—the black V-RAPTOR 8K VV Camera is an impressive introduction to RED DIGITAL CINEMA's new DSMC3 platform. Sized only slightly larger than the KOMODO but boasting a new sensor, the V-RAPTOR offers multi-format capture in 8K VV, 6K Super35, 4K, 3K Super16, and anamorphic options. This versatility enables you to adapt your format from project to project to suit your choice of a variety of pro cine or still photo lenses. The V-RAPTOR's RF lens mount can be used with numerous lens adapters, and it has a locking ring that provides additional security for use with heavier lenses and steady, wide-open capture.
Canon Full Frame Cine Prime Lenses
Explore our collection of Canon cine prime lenses available for rent at competitive prices.
Canon CN-R 24mm T1.5 L F Cinema Prime Lens
Suited for full-frame cinema cameras with RF lens mount compatibility, the Canon CN-R 24mm T1.5 L F Cinema Prime Lens renders crisp images with rich contrast. An 11-blade iris and maximum T1.5 aperture make for a natural bokeh effect with a wide depth of field and smooth image falloff. A consistent warm color balance ensures natural color reproduction particularly suited for skin tone capture. The dual-pixel focus guide reduces focus breathing while providing framing stability. Lens markings are displayed in feet, and the focus ring rotates 300° for precision.
Suited for full-frame cinema cameras with RF lens mount compatibility, the Canon CN-R 35mm T1.5 L F Cinema Prime Lens renders crisp images with rich contrast. An 11-blade iris and maximum T1.5 aperture make for a natural bokeh effect with a wide depth of field and smooth image falloff. A consistent warm color balance ensures natural color reproduction particularly suited for skin tone capture. The dual-pixel focus guide reduces focus breathing while providing framing stability. Lens markings are displayed in feet, and the focus ring rotates 300° for precision.
Suited for full-frame cinema cameras with RF lens mount compatibility, the Canon CN-R 85mm T1.3 L F Cinema Prime Lens renders crisp images with rich contrast. An 11-blade iris and maximum T1.3 aperture make for a natural bokeh effect with a wide depth of field and smooth image falloff. A consistent warm color balance ensures natural color reproduction particularly suited for skin tone capture. The dual-pixel focus guide reduces focus breathing while providing framing stability. Lens markings are displayed in feet, and the focus ring rotates 300° for precision.
Canon CN-R 35mm T1.5 L F Cinema Prime Lens
Canon CN-R 85mm T1.3 L F Cinema Prime Lens
DJI Mavic 3 Pro Cine Drone
DJI Mavic 3 Pro Cine
Filmmakers get more control over what they capture with Mavic 3 Pro Cine Drone from DJI. This flagship drone adds a third lens to the system, with a 70mm f/2.8 medium telephoto, enhancing your creative possibilities with more control of how much you capture of a subject and their surroundings. Remaining is the impressive 24mm Hasselblad wide-angle lens, with 5.1K resolution, and the 166mm telephoto, which has been upgraded to f/3.4 and 60 FPS for more light sensitivity and smoother video. This tri-camera system joins other Mavic 3 technologies, such as O3+ long-range transmission, up to 43 minutes of flight, and omnidirectional sensing with APAS 5.0 to make the Mavic 3 Pro Cine safe for even beginner pilots. Safe Flying An omnidirectional obstacle sensing system with APAS 5.0 technology actively detects obstacles during flight and will automatically plot safe routes around them during flight.
Triple-Lens Camera System
24mm Hasselblad Wide-Angle: The 20MP Hasselblad camera remains, with its adjustable f/2.8 to f/11 aperture and large 4/3 CMOS sensor for reduced noise in low-light situations. It offers 5.1K video resolution at 50 fps and incorporates the Hasselblad Natural Color Solution (HNCS) to capture and produce true-to-life colors in your media. When post-processing, you can use D-Log, D-Log M, and HLG.
70mm Medium Telephoto: The new camera in the tri-cam system, this 48MP lens offers an f/2.8 aperture and 1/1.3" CMOS for excellent day and night shots. Video is captured in 4K at 60 fps, and you can get clearer midrange shots with a 3x optical zoom. D-Log M and HLG are supported for efficient post-production, and it's capable of taking advantage of Night, ActiveTrack, and Hyperlapse shooting modes.
166mm Telephoto: This 12MP full telephoto lens returns, but with an updated aperture of f/3.4, letting more light in for better low-light performance using its 1/2" CMOS. It also improves its 4K fps from 30 to 60 for smoother video and incorporates a 7x optical zoom for clear close-ups.
The Canon cine prime lenses available for rent at Birds Eye Nepal were top-notch quality and helped me capture stunning footage for my project.
Sara M.
★★★★★